I mean, I wrote the scripts now I look back on it in quite a bossy way. And it felt quite radical in a lot of ways, the way she writes about sexuality and women and motherhood and all of it and love.īut the directing thing. I felt sort of seen and forgiven by Nancy Mitford as I read the novel, and I also felt that it was a real treat to read it. But even despite that, I felt that there was something really exciting and fresh in the writing. That would be fun." I knew I loved the book growing up, and it still felt very fresh and relevant to me, even though it was another period drama about people, sort of initially, in a country house in England, which was a bit of a red flag. And I found that I felt that there was a lot in the book that felt relevant somehow. I had been approached to write an adaptation of the book. But it sort of happened to me, and I found that I really loved it. MORTIMER: Well, I keep thinking that, had I really done it in a conscious way, I probably would not have done it.
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So in terms of taking this on, I feel like it's an incredibly ambitious thing to do a three-hour mini series as your first major directing project. It's just like, take the bad with as much of a big as a pinch of salt as you take the good.Įxactly. So therefore it's better not to believe any of it, I think. I heard someone once say about reviews that if you want to believe the nice stuff, you also have to believe the not nice stuff. So I can't quite decide how one's meant to navigate that, but I do get the impression that there have been nice things said. So, I mean, I have been trying not to really look, because, I mean, just going online and reading anything about yourself or your contribution is just such a sort of perilous thing to do. She also reveals how she borrowed from her own experiences as an actor to approach the film's more intimate scenes, with some help from Ita O'Brien, the intimacy coordinator behind Hulu's Normal People(so you know it's good).Ĭollider: Congratulations on the series - it seems like had a really fantastic critical reaction in Britain.ĮMILY MORTIMER: Yeah. In a one-on-one interview with Collider, Mortimer explains how she ended up behind the camera for this series, what anachronistic songs she wanted to include but couldn't, and how her brother-in-law George Vjestica helped bring together a "super band" of players from the Pogues, the Pretenders, the Specials, and the Bad Seeds for a key sequence. debut on Amazon Prime Video, The Pursuit of Love takes a decidedly modern point-of-view on the decades it chronicles, with Nancy Mitford's original novel's own attitudes on love and sex guiding Mortimer's approach. The well-established actress plays a small role in the three-part limited series The Pursuit of Love, while also writing and directing the story of Linda ( Lily James) and Fanny ( Emily Beecham), two cousins and life-long friends growing up, falling in love, and facing the challenges of being a woman in the early 20th century. Emily Mortimer went and directed a whole dang miniseries for her first time. Most actors make their directorial debuts with a short film, maybe an episode of television.
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